Guardian why do people hate hipsters

This summation begins with a string of keywords: "trucker hats; undershirts called 'wifebeaters' worn as outerwear; the aesthetic of basement rec-room pornography, flash-lit Polaroids, fake wood panelling; Pabst Blue Ribbon ; 'porno' or 'paedophile' moustaches; aviator glasses; Americana T-shirts for church socials, etc; tube socks; the late albums of Johnny Cash produced by Rick Rubin ; and tattoos.

The second definition highlights followers of a certain hipster culture, which revels in a childlike naivety; the films of Wes Anderson , the early books of Dave Eggers , and the twee indie pop of Belle and Sebastian are all mentioned.

The third is the "hip consumer": the smart shopper who understands that some consumer purchases, such as the right vintage T-shirt, might even be regarded as a form of art. They even split the term, drawing a distinction between the trucker-cap-wearing New Yorkers of , and a more recent type of cool kid, keen on such low-tech status symbols as typewriters, fixed-wheel bikes, and the kind of outdated instrumentation used on records by Arcade Fire , Animal Collective and Grizzly Bear.

Mark Greif, a New York English professor and one of the book's chief editors traces this hipster's recent history back to the post-punk DIY movement of the 80s.

Youth culture had this quite hopeful notion that it was possible to make your own art and distribute it, in order to evade this wider commercial sphere. Instead of "doing art" the cool kids were now, in Greif's words "doing products".

These were once embarrassing jobs. Now it's meaningful in this world to say that you sell sneakers, at a high level. The book settles on as New York's hipster year zero. It was only the lower east side, but it was made to look as if you were sitting in a living room in Middle America.

Early hipsters' adoption of these and other suburban signifiers, such as trucker caps and BMX bikes, as they sauntered around urban areas is significant. The White Negro had fetishised blackness; these newer arrivals glorified lower-middle-class whites. This is partially why Greif and co, in a line that sounds very much like it may stray into Pseuds Corner, see these early hipsters as neoliberal.

Not all hipsters arrive in the big cities flush with cash, but they almost always possess some cultural capital, usually a university degree and refined upbringing. They can use this to prevent themselves from ending up on the bottom of the pile, even if their only means of upward mobility are snarky putdowns and a working knowledge of the Smiths. A more withering assessment of youth culture is hard to imagine.

We keep consuming more, and more cravenly, yet this always seems to us to be the hipster's fault, not our own. Horing also raises an even less-palatable notion: '"If you are concerned enough about the phenomenon to analyse it and discuss it, you are already somewhere on the continuum of hipsterism and are in the process of trying to rid yourself of its 'taint'.

Is this view from the heights of Manhattan academia shared on the streets of Hackney? Not entirely. What does our anonymous blogger think?

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But the other half never quite got round to the exercise component, and so have taken on the shape and pallor of a Linda McCartney sausage under the weight of all that whey. He is the historic character of Banter Boy melting under the new wave of male grooming.

Check your facts. The type is: over-educated under-employed men in IT with vape-bongs who quote Thomas Paine and Milo Yiannopoulos as though they were equally valid sources. This is what happened when the New Atheism petered out and all the goateed men in that coalition realised that all the blue-haired women were going off to start fourth-wave feminism. Yeah, you know, they tried the whole Judeo-Christian man-woman thing.

Raised in an era of touchy-feely parenting, their Pollyanna views are a genuine reflection of the bland pleasantness of PC going mad.